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“Castle of Otranto” is great, but I’ve always found the ending to be so over-the-top that it’s hard to read it with a straight face. Giant helmets crashing into courtyards, etc. Speaking of kitchens in gas-lamp literature, the P.D. James mystery novel “Devices and Desires” does an excellent job capturing the cosiness and breathtaking beauty of such kitchens. It takes place near a fictitious nuclear power plant and involves activists and such. But one of the main characters is a woman who writes cookbooks and she has one of these kitchens. It’s a great read. I really enjoyed all of her novels, but I think the Dagliesh ones were my favorite.

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The over-the-top thing can be common with books of that time. Van Helsing is one that comes to mind when the topic of melodrama comes up. I think I've got some P.D. James novels on my list and that might be one of them. But when I'll get to it is anyones guess - I've had your story Without a Shadow of a Doubt open on a tab for a few days but haven't got around to it yet. Looking forward to the end of Transference too

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The Victoria-era stories always fascinate and intimate me. I'm sure it has to do with how I imagine the gaslighted streets and the Ripper stories.

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Walking around a Victorian City in the dark was probably a scary experience. Particularly after the Ripper murders!

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